| Mellor filme[4] |
Mellor director[4] |
- Oppenheimer – Emma Thomas, Charles Roven, e Christopher Nolan, produtores
- American Fiction – Ben LeClair, Nikos Karamigios, Cord Jefferson, e Jermaine Johnson, produtores
- Anatomy of a Fall – Marie-Ange Luciani e David Thion, produtores
- Barbie – David Heyman, Margot Robbie, Tom Ackerley, e Robbie Brenner, produtores
- The Holdovers – Mark Johnson, produtor
- Killers of the Flower Moon – Dan Friedkin, Bradley Thomas, Martin Scorsese, and Daniel Lupi, produtores
- Maestro – Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning, e Kristie Macosko Krieger, produtores
- Past Lives – David Hinojosa, Christine Vachon, e Pamela Koffler, produtores
- Poor Things – Ed Guiney, Andrew Lowe, Yorgos Lanthimos, e Emma Stone, produtores
- The Zone of Interest – James Wilson, produtor
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| Mellor actor |
Mellor actriz |
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| Mellor actor secundario |
Mellor actriz secundaria |
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| Mellor guión orixinal |
Mellor guión adaptado |
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- American Fiction – Cord Jefferson; baseado na novela Erasure escrita por Percival Everett en 2001
- Barbie – Greta Gerwig eNoah Baumbach; baseado nos personaxes creados por Ruth Handler
- Oppenheimer– Christopher Nolan; baseado na biografía American Prometheus escrita por Kai Bird e Martin J. Sherwin en 2005
- Poor Things – Tony McNamara; baseado na novela homónima escrita por Alasdair Gray en 1992
- The Zone of Interest – Jonathan Glazer; baseado na novela homónima escrita por Martin Amis en 2014
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| Mellor filme de animación |
Mellor filme internacional |
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| Mellor documental |
Mellor curtametraxe documental |
- 20 dniv u Mariupoli – Mstyslav Chernov, Michelle Mizner e Raney Aronson-Rath
- Bobi Wine: The People's President – Moses Bwayo, Christopher Sharp e John Battsek
- Banāt Olfa – Kaouther Ben Hania e Nadim Cheikhrouha
- La memoria infinita – Maite Alberdi, Juan de Dios Larraín, Pablo Larraíne e Rocío Jadue
- To Kill a Tiger – Nisha Pahuja, Cornelia Principe e David Oppenheim
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- The Last Repair Shop – Ben Proudfoot e Kris Bowers
- The ABCs of Book Banning – Sheila Nevins e Trish Adlesic
- The Barber of Little Rock – John Hoffman e Christine Turner
- Island in Between – S. Leo Chiang e Jean Tsien
- Nǎi Nai & Wài Pó – Sean Wang e Sam Davis
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| Mellor curtametraxe de acción en vivo |
Mellor curtametraxe animada |
- A marabillosa historia de Henry Sugar – Wes Anderson e Steven Rales
- The After – Misan Harriman e Nicky Bentham
- Invincible – Vincent René-Lortie e Samuel Caron
- Knight of Fortune – Lasse Lyskjær Noer e Christian Norlyk
- Red, White and Blue – Nazrin Choudhury e Sara McFarlane
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- War Is Over! Inspired by the Music of John and Yoko – Dave Mullins e Brad Booker
- Letter to a Pig – Tal Kantor e Amit R. Gicelter
- Ninety-Five Senses – Jerusha Hess e Jared Hess
- Our Uniform – Yegane Moghaddam
- Pachyderme – Stéphanie Clément e Marc Rius
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| Mellor banda sonora |
Mellor canción orixinal |
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| Mellor deseño de produción |
Mellor fotografía |
- Poor Things – Deseño de produción: James Price e Shona Heath; Decorados: Zsuzsa Mihalek
- Barbie – Deseño de produción: Sarah Greenwood; Decorados: Katie Spencer
- Killers of the Flower Moon – Deseño de produción: Jack Fisk; Decorados: Adam Willis
- Napoleón – Deseño de prodcción: Arthur Max; Decorados: Elli Griff
- Oppenheimer– Deseño de produción: Ruth De Jong; Decorados: Claire Kaufman
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| Mellor maquillaxe |
Mellor deseño de vestiario |
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| Mellor son |
Mellor montaxe |
- The Zone of Interest – Tarn Willers e Johnnie Burn
- The Creator – Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich e Dean Zupancic
- Maestro – Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich e Dean Zupancic
- Mission: Impossible – Dead Reckoning Part One – Chris Munro, James H. Mather, Chris Burdon e Mark Taylor
- Oppenheimer – Willie Burton, Richard King, Gary A. Rizzo e Kevin O'Connell
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| Mellores efectos visuais |
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